Armani Prive: 8 posts

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

The new Armani Privé Cuir Noir, a fragrance from La Collection des Mille et une Nuits is starting to appear in stores (recently spotted at Harrods.) Cuir Noir was created by perfumer Nathalie Lorson and includes notes of Bulgarian rose, nutmeg, coriander, guaiac wood, leather, oud, Australian sandalwood, ambergris accord, benzoin.

My overall impression–and it can apply to the whole collection–nicely done, but not mind-blowing enough to warranty the price of 180 British pounds. Cuir Noir starts out as a big sweet amber and leather in the style of Tom Ford Amber Absolute or Annick Goutal Ambre Fétiche. There is a distinctive rose note that lingers from top to drydown. The medicinal, smoky oud is such a rich accent that it makes the leather play a second fiddle. Fans of oriental blends will enjoy Cuir Noir, but if you are looking for a smoky rich leather, it will not satisfy the craving.

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

It has been a while since any fragrance from the Armani Privé collection captured my attention. Although many perfumes in the range are elegant and well-crafted, the inflated price makes them much less attractive to me. The only exception so far has been Bois d’Encens, a striking incense and cedarwood composition that intriguingly managed to convey the serene darkness of incense, while suggesting a glamorous aura. La Femme Bleue has been my latest surprise. Although iris has been a heavily used theme among recent niche launches—from Tom Ford Violet Blonde to Annick Goutal Mon Parfum Cheri, La Femme Bleue presents it in an unusual manner. It pairs the cool vegetal austerity of iris with the gourmand sweetness of chocolate and the somber darkness of incense, all the while retaining an uplifting sensation.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Rose is the most representative fragrance note of Eastern style fragrances as it carries many rich symbolic connotations as revealed by Persian poetry and Sufi writings. In traditional perfumery rose was prized for its ability to withstand the considerable heat of distillation, unlike most other fragrance flowers like jasmine, violet, hyacinth and lily. Even today, the rose fragrance is likely to form an indelible impression when visiting any of the Middle Eastern countries—rosewater is customarily sprinkled on guests upon arrival and departure, rose flavor is as likely to be found in a dish of lamb pilaf as it is in sweet sherbets and pastries, and the scent of rose attar fills the air as people prepare for Friday prayers. Therefore, it is not surprising that the third chapter of the Arabian Tales from Armani Privé La Collection des Mille et une Nuits, Rose d’Arabie, takes the shape of an oriental rose.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

If Ambre d’Orient explored amber in the opulent and gilded interpretation, Oud Royal wraps it in leather and dry woods. While the boldness of oud, a natural raw material of striking richness and complexity, is the axis, around which Oud Royal revolves, the strength and persistence of amber makes it more of an animalic amber-leather composition. The surprises do not end here. As the fragrance develops, instead of a brash and animalic, it becomes smooth and seductive.

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The Arabian Tales still retain perfumery under their spell… L’Artisan Traversée du Bosphore took us on a journey to Ottoman era Istanbul. By Kilian Rose Oud suggested the heavily embroidered silks and glittering gold bangles of an Indian wedding. Frederic Malle Portrait of a Lady transformed English roses into a Moorish garden. Even ordinarily minimalist Diptyque presented Eau Duelle as a silver foil decorated sweetmeat. Now, we can add three new chapters to the 1001 Nights with a trio from Armani Privé La Collection des Mille et une Nuits: Ambre d’Orient, Oud Royal and Rose d’Arabie.

Ambre d’Orient was created by Firmenich perfumer Fabrice Pellegrin, who is also responsible for the aforementioned Eau Duelle, Thierry Mugler Womanity as well as two terrific (though now discontinued) L’Occitane fragrances, Amber and Cinnamon Orange.

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