Art & Fashion: 36 posts

My great-grandmother Asya believed that art healed and her collection of embroideries and lace was a testament to her need to create something beautiful. So when I learned of Amoami, a social impact organization using crafts to support refugee women from Ukraine, I became curious about its mission. Based in Spain, Amoami works with Ukrainian refugee women in Europe and the result are lovely crochets.

This adorable bear is crocheted using a Japanese technique called “amigurumi.” The designs are inspired by Ukrainian embroideries and the bears come in different sizes. As such, Amoami provides economic support for the Ukrainian women and creates a comfortable place where they can work, make friends and create their own community. For people who lost everything as they fled, the community is crucial. Finally, crocheting and arts are used as therapy, something that Asya would recognize and approve.

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For the past few days rescue workers in the town of Dnipro have been searching for survivors of a devastating Russian attack. A missile hit an apartment building, destroying it completely. I spent several summers in Dnipro and I have several friends there, and these news have affected us deeply. Almost a year later and I still haven’t learned to cope with the pain of seeing familiar landmarks scarred by war.

After seeing images of gutted apartment buildings and bombed out streets, I needed to remember Dnipro as a vibrant town in the eastern part of Ukraine. Its name comes from its location on the Dnieper River, and its shores offer beautiful views. I went through my archive of photographs that I took during my travels in Ukraine. It was in Dnipro where I discovered the art of Petro Magro (1918–2010). A native of the region, he captured its landscapes in his impressionistic paintings. I hope that you will enjoy his artwork as much as I did–a reminder of beauty and an antidote to darkness and despair.

Do you have a favorite artist whose works uplift you? 

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A few years ago I made a memorable journey to Petrykivka in Ukraine. Located near the city of Dnipro in the eastern-central part of the country, the town is famous for its folk painting style, Petrykivsky painting or “petrykivka.” It depicts flowers, leaves, and birds in a variety of baroque forms. The colors are vivid, with red, blue, yellow, and green hues being most traditional. Everywhere I went in the town, I saw bright designs covering walls, fences and street signs, but petrykivka is also used for paintings and decorating everyday objects.

Petrykivka painting has been included in the UNESCO Representative List of Intangible Cultural Heritage, and many artists operate studios in town. Before the war their situation was already precarious, as it is for many artists, but these days it is even more so. Nevertheless, despite the electricity blackouts and other tragic realities of war, they continue to work and produce beautiful artworks.

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The first time I made my own clay pot, I must have been six or seven years old. My mother’s family comes from Poltava, the central region of Ukraine famous for its arts and crafts, and ceramics in the town of Opishnya have a long tradition. My great-grandmother Asya visited the town every summer to select new dishes and pots and she must have taken me along. My memories of that visit are fragmentary, but I recall the softness of the clay, the brilliance of the green glaze, and a slight disappointment that my pot didn’t come out as symmetrical as I thought it should have been. However, that experience made me fascinated with ceramics and the way rough soil can assume the most exquisite of forms.

I rekindled my passion for ceramics while working and traveling in Asia. In Japan, the ceramic arts have a strong reputation and many different styles of pottery and porcelain exist, from the natural-looking Bizen ware to the ornate Imari ware. One could travel from the north of the country to the south and discover ceramics studios in every region, each showcasing a specific style of pottery. During one such trip, I discovered the colorful charm of Kutani ware.

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Dance, like all arts, is about making a connection with others. I was thinking lately about Gelsey Kirkland, a dancer with whom I was fortunate to study when she gave her much beloved classes at Steps in NYC. Kirkland was one of George Balanchine’s star dancers and an American ballerina with a striking style. I will never forget how she told us that when dancing, we should remember that we are holding our beating hearts in our hands. That image solved the problem of dropping the wrist even during the most complicated movements, but it stayed with me even when I changed into street clothes and put my pointe shoes away.

These days I also think about Kirkland’s comment often, whether I dance or write. Making a connection with others is much more difficult in this time of Zoom and social distancing, but being genuine and honest and not being afraid of being vulnerable towards others is still important. My ballet training has influenced my attitude to life and shaped my personality. I admit that not all  such influences have been entirely positive–the relentless push for perfection comes with a price, ballet taught me what resilience means. Reading about other dancers and dance has always inspired me, and I would like to share my list of favorite books with you.

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