Alienor Massenet: 3 posts

I try not to read the marketing material before testing a perfume–and with good reason. If I had learned that Penhaligon’s The Favourite was inspired by Sarah Churchill, Duchess of Marlborough, I wouldn’t have described it as soft, ethereal and tender. It’s hard to imagine those adjectives applied to the favorite of Queen Anne and a prominent personality of 18th century Britain. A strong-willed woman who wielded power behind the throne, she evokes for me something more assertive than a musky floral. That being said, The Favourite is a lovely thing, and however mismatched its character and its story might be, I’m reaching for it whenever I want something comforting and elegant.

The appealing aspect of The Favourite is how it combines floral and fruity notes with a hint of powder. It starts with a bright and sweet citrus and immediately plunges into a floral accord combining soft, rose-like notes with violet. The effect is delicate, but once the musk becomes more prominent, The Favourite gains more richness.

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The combination of salt and vanilla is not common in perfumery, despite the ubiquity of these ingredients in modern patisserie. For one thing, salt is a fantasy impression created by certain marine and dry woody notes in fragrances, and its effect is cancelled out by the sweetness of vanilla. Also, when a perfume promises vanilla, we expect warm, creamy and cuddly–a bowl of custard, if you will. L’Artisan Parfumeur Couleur Vanille, however, dares to be different.

While retaining the creaminess and dark sweetness of vanilla, perfumer Aliénor Massenet, who worked with L’Artisan Parfumeur on this launch, blended fresh floral and salty notes to balance out the richness. The sweet and salt facets give Couleur Vanille its personality, right from the top notes.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

One cannot fault Viktor & Rolf for lacking creativity when it comes either to their fashion collection or their fragrance packaging. The amethyst tinted Flowerbomb is incased in a faceted grenade shaped bottle, while the new masculine fragrance Antidote is presented in an elegant square flacon; its pale emerald liquid contrasting with the ebony black detail on the bottle and the box. Yet, the fragrance inside Flowerbomb was a let down. Instead of the black Victorian gown of a fragrance that I envisioned, it was an ivory satin dress. Lovely and tasteful, but somehow lacking the edginess of Viktor & Rolf fashion. …

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