leather: 10 posts

“The allure of Estonian birch tar” isn’t a combination of words one encounters often, but I rather like it. My recent article, The Evocative Allure of Birch Tar Perfumes, appears in the FT magazine and celebrates the delicious darkness and smokiness of birch tar, which can add an interesting undercurrent to fragrances and give them a new dimension. From Chanel Cuir de Russie to Juliette has a Gun’s Midnight Oud, this note plays a special role. Birch tar can mimic leather, smoke or even woods.

Yet, my first experience of birch tar came not from a perfume but from a soap I bought as a curio from Tallinn. I enjoyed its smoky aroma so much that I’ve since sourced a similar pine-tar version (€4.95 for 100g) by an Estonian brand called Nurme, and learnt that tar derived from different trees has been used for skincare in Baltic countries for centuries due to its antibacterial and soothing properties. To continue reading, please click here.

Do you like all things dark and smoky?

Photography by Bois de Jasmin

Although classical leather notes in perfumery are dark and dramatic like Robert Piguet Bandit and Grès Cabochard, this theme offers many variations, including the soft and creamy ones. In my recent FT column, Leather Scents with a Soft Focus, I describe different ways in which leather can be interpreted. I also talk about my idiosyncratic behavior at the vintage shops.

Unconventional is the leather collection of Serge Lutens. The line has a number of fragrances with leather accents, whether Sarrasins, with its interplay of leather, jasmine and musk or Fumerie Turque, which weaves leather into tobacco leaves and rose petals. Cuir Mauresque, however, makes this tanned note the star player. It is buttery and rich, oscillating between the darkness of amber and the spicy bite of clove. What makes its leather tender and luminous is the clever addition of orange blossom and mandarin. Inspired by the old tradition of perfuming gloves with fragrant pomades, Cuir Mauresque conjures up vintage handbags and well-worn armchairs in old libraries. To continue reading, please click here.

Where do you fall on the leather spectrum, dark or light?

Image via FT

The smoky aromas of bonfires, roasted chestnuts, frankincense and lapsang souchong tea are among the most complex, and I know quite a few individuals who fantasize about a fragrance that smells like a smoky charcoal-grilled steak. There is a difference, however, between enjoying a scent in its proper context – charred ribeye at a barbecue or burning leaves in an autumnal park – and wearing a fragrance that reprises such odors. For this reason, perfumery interpretations of smoke tend to blend it into a more familiar setting of woods, spices and resins. In my FT Magazine column, Smoky Perfumes, I explore how smoky notes are used in fragrance and what effects they produce.

One of the best introductions to a smoky perfume is L’Artisan Parfumeur’s Passage d’Enfer (£105 for 100ml EDT). Perfumer Olivia Giacobetti is known for her ability to create olfactory watercolours – airy, transparent compositions. Passage d’Enfer combines lilies and incense, filling the spaces between the white, cool petals with smoke. Giacobetti’s touch is light, and the perfume remains soft and radiant, from the smoky opening to the vanilla- and cedarwood-accented drydown. To continue reading, please click here.

What about you? Do you find smoky fragrances appealing?

Image via FT HTSI

Elisa gives an overview of her favorite leather perfumes, from floral suedes to dark, smoky hides.

I don’t rotate my perfume collection seasonally; all [undisclosed number] of them are at my disposal year round on a big étagère in my closet. But if I did, here’s how the rotation would break down: ambers and orientals up front for winter; chypres and green florals up front for spring; white florals and beachy coconut scents up front for summer; and leather fragrances up front for fall.

One recent Friday, I went over to a friend’s house for drinks; it was the first really chilly autumnal night, and we lit an outdoor fire and sat around it drinking red wine, wearing boots and scarves for the first time and making plans for Halloween. This is exactly when I start buying candles in bulk and craving all my smoky leather perfumes. Here are a few of my favorites for fall.

Continue reading →

Cuir d’Ange is the most recent addition to the Hermès Hermessence collection, a line of fragrances sold exclusively at the house’s boutiques. The idea is to capture the nuances of famous Hermès leather, which smells of flowers and musk. The perfumer behind it is Jean-Claude Ellena, a master of the most ethereal and delicate compositions, and as you would expect, Cuir d’Ange, Angel’s Leather, stays true to its name. It’s wispy and sheer, as if the leather that inspired it was polished to remove any traces of animal funk and made to smell like someone’s clean skin.

Cuir d’Ange is pure comfort. Although I like to think of myself as someone unafraid of the raunchiest animalic scents, my favorite leathers in perfume bottles are soft and cuddly. I’m more in the camp of Bottega Veneta than that of Robert Piguet Bandit on most days. So, here you go. For this reason, the first time I smelled Cuir d’Ange, I felt that I discovered my ideal leather–creamy, suave, and mild. On the other hand, if you want the odor of a beaver in heat and don’t wish to settle for anything less, Cuir d’Ange will strike you as wimpy and bland.

Continue reading →