Leather: 43 posts

Cuir d’Ange is the most recent addition to the Hermès Hermessence collection, a line of fragrances sold exclusively at the house’s boutiques. The idea is to capture the nuances of famous Hermès leather, which smells of flowers and musk. The perfumer behind it is Jean-Claude Ellena, a master of the most ethereal and delicate compositions, and as you would expect, Cuir d’Ange, Angel’s Leather, stays true to its name. It’s wispy and sheer, as if the leather that inspired it was polished to remove any traces of animal funk and made to smell like someone’s clean skin.

Cuir d’Ange is pure comfort. Although I like to think of myself as someone unafraid of the raunchiest animalic scents, my favorite leathers in perfume bottles are soft and cuddly. I’m more in the camp of Bottega Veneta than that of Robert Piguet Bandit on most days. So, here you go. For this reason, the first time I smelled Cuir d’Ange, I felt that I discovered my ideal leather–creamy, suave, and mild. On the other hand, if you want the odor of a beaver in heat and don’t wish to settle for anything less, Cuir d’Ange will strike you as wimpy and bland.

Continue reading →

Elisa on breaking with the niche formula and on the masculine retro glamour.

There is a prevailing trend in niche perfumery toward unisex scents. Often, the “unisex” quality is communicated through a combination of (supposedly masculine) woody notes, such as sandalwood, cedar, and patchouli, and (supposedly feminine) sweet notes, such as vanilla and benzoin, to the point that when mainstream scents hit on this combination, we say they “smell like niche.” I love sweet woody scents, but this formula is starting to look like a niche cliché – mix up booze, tobacco, resins, a touch of leather and some vanilla until it’s the color of cocktails in a cigar bar. Does it smell good? Then ship it!

Parfums Retro is a new niche outfit that seems to be taking a different approach. Their first three scents are all clearly targeted at the men’s side of the aisle. And yet, Grand Cuir (a sample of which I received as part of an Olfactif gift box) doesn’t smell like the typical men’s offerings at department stores, radiating powerful synthetics like sexual-chemical warfare. Instead, it truly smells retro: reminiscent of the dry, bitter leathers from the first half of the 20th century, when women comfortably wore perfumes like Lanvin Scandal and pre-reformulation Caron Tabac Blond.

Continue reading →

Elisa talks about gardenia, tiare, and leather as she reviews Aftelier Cuir de Gardenia Extrait.

Searching for a natural gardenia perfume is a little like hunting for unicorns – gardenias, notoriously, don’t release a natural oil. As Victoria once put it, “gardenia, temperamental flower that she is, does not give up her essence to any distillation methods.” Accordingly, gardenia in perfumery is necessarily a re-creation, using other materials to approximate the flower’s scent: sweetly tropical, but with an earthy element often likened to dirt or mushrooms.

I was surprised, then, when I heard that Mandy Aftel of Aftelier Perfumes was releasing a gardenia scent, since Aftel is known for her all-natural creations. As it turns out, Cuir de Gardenia is based on the Tahitian gardenia, or tiare flower, which can be made into a (costly) enfleurage (termed monoi when using coconut oil). Aftel has bolstered this material with jasmine and benzyl acetate, an isolate that occurs naturally in jasmine and ylang-ylang and is also used as a solvent in plastic and resins.

Continue reading →

Even for the accomplished perfumer, re-orchestrating a classic is a formidable task. Not only does the new version have to respect the original spirit, it needs to add a new, distinctive twist. In addition, it must also follow current regulatory stipulations on the use of ingredients, be on budget and make sense within the brand’s DNA. No wonder most remakes fall short of such high expectations.

Hermès is a more respectful brand than most others of its heritage, but I was nevertheless skeptical of the proposition to rework their classics, which include such legends as Caléche and modern gems such as Hiris. The consolation was that  the new versions redesigned by in-house perfumer Jean-Claude Ellena would live alongside the originals. The first in the series was Bel Ami Vétiver, which reinterpreted the leather chypre from 1986.

Continue reading →

Patricia’s reading of Tender is the Night via scent, Majda Bekkali’s Tendre Est la Nuit.

F. Scott Fitzgerald was one of my favorite authors in high school and later as an English major in college. Tender Is the Night, begun in 1925 but not published until 1934, is the story of Dick Diver, an eminent psychiatrist, and his wife and former patient Nicole. Nicole was modeled after Fitzgerald’s wife Zelda, who suffered from alcoholism and recurrent bouts of mental illness. Fitzgerald himself wrote, “Gatsby was a tour de force, but this [Tender Is the Night] is a confession of faith.”

Tendre Est la Nuit by Majda Bekkali was created with perfumer Delphine Thierry as homage to Zelda, who lived in the shadows, first of her famous husband, then of her own deteriorating mental state and subsequent institutionalization. Majda Bekkali “wanted to tell what may be the opposite of the noisy and turbulent world where we live…but when we extract ourselves from the noisy world, some danger lurks around and reason falters, the animality emerges.”

Continue reading →