Hedione: 9 posts

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Kenzo Flower is an example of a well-crafted and unique fragrance, which is neither a hard-to-find niche nor a revered classic from the turn of the 20th century. Created by perfumer Alberto Morillas and launched in 2000, it still remains as one of top selling fragrance in Europe, along with marvels like Chanel No 5, Dior J’Adore, Chanel Coco Mademoiselle, Thierry Mugler Angel and CK One. Flower is a beautiful example displaying that an impressive sillage and tremendous lasting power do not have to conflict with a nuanced and delicate overall impression. In fact, throughout its development, Flower retains a soaring, radiant quality, which is quite unexpected in a floral oriental blend.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Contemplating a quintessential classical fragrance, Chanel No.5 and Lanvin Arpège immediately come to mind. The aldehydes add shimmer to the flowers in the opulent floral bouquets of these great classics, interspersing the petals with the diamond dust of aldehydic fizz. Creating a fragrance in the classical spirit is an exacting task, because composing something novel becomes more challenging. In this sense, Van Cleef & Arpels First encompasses both the classicism and the spirit of innovation. Intended as the first fragrance for the jewel house Van Cleef & Arpels, a fragrance that would sparkle like a jewel, First transforms luminescence into the form of scent. From its brilliant top note to the resplendent heart and radiant base, it shines like a perfectly cut diamond and feels like a smooth South Sea pearl.

First was the fragrance that marked the inception of Jean-Claude Elléna’s great career. Even though his Sisley Eau de Campagne came out in 1974, First’s debut in 1976 was an even bigger success. Experiencing the fragrance, it is not difficult to understand why, because the composition has a seamless and perfectly polished quality with the notes melding one into another, drawing one into the languid sensation of the composition. …

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Abstraction is what modern perfume has been striving for over the course of the 20th century, moving away from the representational genre dominating the previous periods. The first abstract fragrance was Houbigant Fougère Royale (1882), which combined synthetic material coumarin with bergamot, oakmoss and geranium. Elegantly serene abstraction is how Comme des Garçons Odeur 53 can be characterized, a fragrance that is comprised solely of synthetics in its attempt to reproduce such inorganic smells as sand and metal.

Created in 1998 by Martine Pallix, Odeur 53 strikes me as a cubist take on a classical jasmine and wood combination. Abstract is an important qualifier here, since the fragrance does not represent either to the extent that they are obvious. Yet, somehow the composition reveals the essential elements of this pairing—warmth and woody sweetness. Daringly, more than 60% of the formula is comprised of hedione, which is an aromachemical possessing a radiant jasmine quality. …

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What makes a perfect jasmine perfume? Jasmine absolute contains more than 300 different components, and traditionally, inspiration comes from the constituents identified. The aromachemicals would be combined in such a way as to replicate the fruity, flowery and animalic facets of jasmine, with additional green notes for capturing jasmine sambac. The effect of hedione (Firmenich tradename, also known as methyl dihydrojasmonate) on jasmine notes can be compared to a sunray hitting a flower. Given its ability to lend a radiant, warm quality to the floral notes, the perfume history of the last thirty years is incomplete without a discussion of hedione.

The name Hedione is derived from the Greek word “hedone,” which means pleasure–a fitting moniker for this luminous and compelling note. The material was discovered by Firmenich researcher Edouard Demole as he was analyzing the composition of jasmine essence. Hedione combines remarkably well with various perfumery materials, and its first significant usage of 2% was seen in Christian Dior Eau Sauvage, created by Edmond Roudnitska in 1966. A layer of luminous jasmine against the backdrop of herbs, patchouli, woods and coumarin makes Eau Sauvage revolutionary in its ability to interpret floral notes in the domain of masculine perfumery. …

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