Almond: 11 posts

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

In my 10 Perfumes I Should Love … But Do Not, Serge Lutens Rahat Loukoum occupies the top spot. It contains everything I should enjoy, but the end result smells like a cross between a cheap almond candle and a cleaning product. It is also one of the most popular Lutens fragrance. One of the reasons I finally decided to write this review is to hear the views of those who love this fragrance and gladly wear it. Since all of us perceive fragrances slightly differently, perhaps I am missing something. As things stand however, Rahat Loukoum, inspired by the Turkish confection, is not much of a delight for me.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

In sartorial terms, an effervescent citrus cologne is as versatile and timeless as a tailored suit or a little black dress. It is immediately appealing and effortlessly chic, while still having a striking presence. Yet, eventually all little black dresses start to look similar, and all colognes exhibit that familiar fresh burst followed by floral sweetness or woody dryness. As one knows all too well, familiarity breeds contempt. In this light, I have put the newest cologne offering, Christian Dior Escale à Portofino, to the test.

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The rainstorm… Après l’Ondée, which translates from French as “After the Rain Shower” seems like a radiant and exquisitely graceful composition, and yet there is the suggestion of a brooding darkness hiding in its opulent layers. My own relationship with it is complex; it is both a fragrance that served as a gateway for my intense passion for everything Guerlain and a scent of nostalgia. It reminds me of my first year in the United States, when feeling displaced and homesick, I would walk around Marshall Field’s, the large department store in downtown Chicago. The Guerlain counter, with its large booklet describing each fragrance, drew my attention. I was determined to find a perfume that would be mine because Guerlain had always fascinated me.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

“The icicles, which seemed to have been deliberately hung in different lengths from all the eaves, were incredibly beautiful and looked like waterfalls of crystal,” writes Sei Shonagon in The Pillow Book, a beguiling example of the classical Japanese prose from the 10th century. The silvery glitter of ice, the sparkling expanse of whiteness with an occasional glimpse of bare black branches, the metallic taste of snow on the lips–winter instills serenity and melancholy in the scenes that ordinarily would strike one as quotidian. The chill of winter in fragrances is usually expressed through the usage of the icy notes of iris, the white musk accords marked by the radiant metallic freshness as well the touches of ozonic elements to create the crisp effect of cold air.

Jean-Claude Ellena’s Frédéric Malle L’Eau d’Hiver (2003) and Paul & Joe Blanc (2003) are often compared, however while there are similarities, the fragrances are sufficiently different that a predilection for one would not necessarily mean liking for another. Yet, they both share the white powdery accord woven into the arrangement. Jean-Claude Ellena cites Après l’Ondée as his inspiration for L’Eau d’Hiver, which took the classical structure of the Guerlain classic, refined it to the essential features and added a scintillating hesperidic top. …

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

One of the three colognes released by Christian Dior in 2004 under the guidance of Hedi Slimane, Cologne Blanche was composed by Francis Kurkdjian. All three fragrances are well-composed, with the attention to detail that cannot be left unnoticed, from the high-quality ingredients to the understated luxury of the packaging. If the name cologne leads one to expect thin and bland citrus concoctions, Cologne trio will definitely be a wonderful surprise. The colognes are quite varied, from bitter herbs and caramel undertones of Eau Noire to chilly elegance of Bois D’Argent. Cologne Blanche is an epitome of refinement, with its marriage of indulgence and comfort set against a ravishing delicacy of almond base enriched by the softest of musks.

The bergamot and orange are the radiant ornaments, delicately intertwined with the herbal whisper of green herbs. It is as if a branch of rosemary got caught in the fruit basket, its piney scent adding a rejuvenating element. The sensual touch of musk is an interesting element, considering the essentially “straight out of the shower clean” aura of the composition. However, there is something ethereal and alluring about the fragrance that makes me want to lean in and inhale the scent emanating from the skin.

The elegant drydown is reminiscent of the bittersweet peach stone, which alternates between milky green almond and lusciously sweet nut. A mere hint of confectioner’s sugar scented with vanilla foils the understated musk of the base. If I am to imagine a fragrance Napoleon would like on Joséphine (a woman of whom he said in his letters, “I must see her and press her to my heart. I love her to the point of madness, and I cannot continue to be separated from her. If she no longer loved me, I would have nothing left to do on earth”), Cologne Blanche would be it, fitting Napoleon’s fastidious cleanliness as well as Josephine’s predilections for exotic musks.

Cologne Blanche, like the other two colognes, Bois d’Argent and Eau Noire, is available in 4.2oz, 8.4oz, and 16.9oz bottles, and can be found at Neiman Marcus and Dior boutiques.

Painting: Pierre-Paul Prud’hon. Portrait of Empress Joséphine. 1805. Oil on canvas, Louvre. Abcgallery.com