Christian Dior: 28 posts

There are some varieties of rose that smell fresh and delicate at first and then reveal a piquant, peppery bite. You pull away from the blossom with a start, the tingling sensation still in your nose and can’t help yourself leaning in for another inhale. My first impression of Oud Ispahan, a new addition to Christian Dior’s La Collection Privée, was similar—the compelling sparkle of the top note contrasted dramatically with the darkness of patchouli and oud.

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In my bid to fantasize that I’m living in a hot tropical climate, I’ve been starting my day by wearing citrus colognes. When I splash on something redolent of juicy oranges, lemon blossoms or bitter grapefruit, for a moment I forget the overcast skies and the nagging rain. As I sniff my bergamot scented wrists, I might as well be at the seashore, walking on warm sand, kicking up opalescent seashells with my toe.  Better still for my daydreaming if the citrus is wrapped around dark woods, smoky vanilla or luscious amber. Then, it feels particularly sultry and exciting! When I heard about Christian Dior Escale à Parati, which promised to take me to a town on the Costa Verde of Brazil and comfort me with tonka bean dusted oranges, I didn’t hesitate to order a sample.

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Gilded, raunchy, glamorous, voluptuous… Any of these words describe Christian Dior Dioressence, a fragrance that has been marketed by Dior as le parfum barbare, a barbaric perfume. Dioressence is still sold today, but the reason why it ended up among my Long Lost Favorite Perfume series is because the original version is gone. Marika, who asked me to add Dioressence to my list of discussions, said, “I recall it being a deliciously rich chypre, very powerful and tenacious. I liked its balance of earthy depth and elegance. It was my first perfume.”

Fans may complain about Christian Dior causing confusion with their game of renaming and reformulating Miss Dior and Miss Dior Chérie, but Dioressence has suffered the same fate through the years. When I smell the original perfume created by Guy Robert in 1969, the relaunch from the 1970s and the current version, I feel as if I’m wearing three different perfumes—an ambery animalic chypre, a full-bodied spicy oriental and a pale green chypre.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Dune… I love everything about this fragrance Christian Dior: its unusual fresh oriental scent; its mellifluous name; and its winged bottle that fits so comfortably into the palm of my hand. One could easily write an academic thesis on this gem, first launched in 1991, and still available today in a great form. I will, however, resist this temptation. I simply would like to highlight this underrated fragrance, share why I find it breathtaking and encourage you to smell it.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Whenever I hear a reference to elegance in perfumery, I invariably think of Christian Dior Eau Sauvage, because few existing fragrances are as exquisitely refined as this composition by the great perfumer Edmond Roudnitska. Of course, elegance can be achieved in a number of different ways, but the effortless, streamlined sophistication of Eau Sauvage has an immediate appeal. In many ways, the beauty and the genius of this fragrance lie in its perfect balance: a balance between different elements of the composition, between simplicity and complexity, between artistic merit and pure pleasure. Eau Sauvage is one of those rare perfumes that have plenty to say, but that are easy to understand.

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