Francois Demachy: 14 posts

There are some varieties of rose that smell fresh and delicate at first and then reveal a piquant, peppery bite. You pull away from the blossom with a start, the tingling sensation still in your nose and can’t help yourself leaning in for another inhale. My first impression of Oud Ispahan, a new addition to Christian Dior’s La Collection Privée, was similar—the compelling sparkle of the top note contrasted dramatically with the darkness of patchouli and oud.

Continue reading →

In my bid to fantasize that I’m living in a hot tropical climate, I’ve been starting my day by wearing citrus colognes. When I splash on something redolent of juicy oranges, lemon blossoms or bitter grapefruit, for a moment I forget the overcast skies and the nagging rain. As I sniff my bergamot scented wrists, I might as well be at the seashore, walking on warm sand, kicking up opalescent seashells with my toe.  Better still for my daydreaming if the citrus is wrapped around dark woods, smoky vanilla or luscious amber. Then, it feels particularly sultry and exciting! When I heard about Christian Dior Escale à Parati, which promised to take me to a town on the Costa Verde of Brazil and comfort me with tonka bean dusted oranges, I didn’t hesitate to order a sample.

Continue reading →

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Sometimes I encounter fragrances that are the equivalent of overpriced haute cuisine—glittering table settings, 5 waiters per customer and a gnawing sense of disappointment at the end of the meal. That is exactly how I find Christian Dior Patchouli Impérial—the promise of a beautiful experience with little substance and character when it finally dries down on the skin.

Continue reading →

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Christian Dior New Look 1947 is one of my most disappointing and frustrating discoveries this year. I say it because I absolutely love the voluptuous idea of its tuberose and violet accord and the image of red lipstick glamor that it conveys. Yet on the skin, New Look 1947 feels far too soft spoken and sheer to fully deliver on its promise of bold elegance circa 1940s Paris.

Continue reading →

With Vétiver, Jean-Paul Guerlain did a seemingly simple thing—he emphasized each facet of the natural raw material, vetiver oil, to create an abstract, modern fragrance. Even though Vétiver de Guerlain has been in existence since 1959 and along with Carven Vétiver engendered a whole family of classical woods, it possesses a timeless elegance that has come to define masculine perfumery. Therefore, it continues to inspire new fragrances based around the dark, green woody note of vetiver, the latest of which is Christian Dior Vétiver.

Continue reading →