Christine Nagel: 21 posts

As in fashion, fragrance outfits that engage in-house perfumers find themselves in a bind. On the one hand, one expects new designers to exercise their vision, but on the other, the fragrance industry is far more conservative than couture and they have to maintain the house’s creed. Christine Nagel’s first fragrance for Hermès, Eau de Rhubarbe Écarlate, is a promising sign of things to come, because not only does she retain the radiance lit by Jean-Claude Ellena, she adds curves and sultry touches of her own, even in a fairly straightforward cologne.

Eau de Rhubarbe Écarlate is my rhubarb-rose sherbet in perfume form, albeit with a moderate dose of sugar. Since the French word écarlate, comes from the Persian word saqerlat–do you hear the echoes of “scarlet”, vivid red?–this association is fitting. Nagel softens the green, acidic edge of rhubarb with berries, but she retains enough of its savory, green nuances to make sophisticated perfume and not confiture.

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Patricia on the Boston Harborwalk, Jo Malone Wood Sage & Sea Salt and tide.

The Boston Harborwalk is a 47-mile continuous public walkway from Chelsea to the Neponset River along the Boston waterfront. Currently 80% completed, it is a treasure for locals and visitors alike, and I never tire of strolling along a small portion of it, watching the boat traffic and inhaling the briny, mineral scents that are part of a busy working harbor. The tides, too, influence the degree of intensity of salt and vegetation in the air. During high tide, saltiness predominates, and the breeze is fresher and cleaner smelling. Low tide, however, uncovers the rocky bottom, exposes wood pilings and seaweed, and adds an interesting vegetal and animalic muskiness to the air.

Wood Sage & Sea Salt, a cologne created by Christine Nagel for Jo Malone, falls within the cleaner range and is what I would call a high-tide fragrance. It opens with a refreshing blast of grapefruit and ambrette, which as it is an unusual combination of top notes, sadly doesn’t last long enough to suit me. The overall effect is one of freshness from the citrus and depth from the plant-based musk tones in the ambrette seed. Soon, the sea salt and sage come into play, and they, too, are clean and polished and not likely to offend. This stage lasts for a few hours, not changing in essential character but gradually fading to a pleasant skin scent.

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The smell of sun-dried linens is one of those scents that invariably make me feel like all is well in the world. At the root of it is a childhood recollection of my grandmother’s linens (the memory conveniently blots out the less romantic realities of doing laundry by hand in a house with no running water). The aroma of starched fabric heated in the sun is so comforting that I look to the perfume bottle to satisfy this craving. An unexpected addition to my “sun and summer” fragrances has become Jo Malone Rain and Angelica, a recent debut from the brand specializing in simple, easy-to-wear scents.

There is no reason to expect that something called Rain and Angelica (an unsubtle nod to Frédéric Malle ‘s rain drenched angelicas, Angéliques Sous la Pluie) would smell of sun warmed sheets or even anything summery. When I checked the list of notes well after trying and wearing the perfume for several days, I was surprised to find little resemblance between the cold, aquatic elements on paper and the warm, soft perfume on my skin.

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That I’m obsessed with vetiver is obvious. If you select the note ‘vetiver‘ in Bois de Jasmin’s Find a Perfume feature, you’ll find around 20 reviews of perfumes sharing this earthy, woody leitmotif. Vetiver essence is distilled from the roots of a nondescript looking grass, but its scent is spectacular. It smells of milky hazelnuts, bitter grapefruit, licorice and driftwood. Every time I think that I have tried enough vetivers, something else comes along to tempt me. If I want dark and salty, I go for Annick Goutal’s Vétiver. If I’m in the mood for fresh and sparkling, Prada’s Infusion de Vétiver never fails to hit the spot. But if I had to wear a single vetiver perfume for the rest of my life, I would pick Lalique Encre Noire Pour Homme.

Encre Noire may not seem like an obvious choice, especially when we have vetiver gold standards like Guerlain Vétiver and Frédéric Malle Vétiver Extraordinaire. Without a doubt, those are perfumes that must be sampled at least once, but what makes Encre Noire so compelling is its elegance and versatility. It’s also impeccably crafted and memorable.

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There is a disconnect between the packaging, the concept and the scent of Jimmy Choo Flash, the second fragrance from the trendy footwear brand. I should add, thankfully so. The concept inspired by the stylish women of New York and Paris sounds bland. The bottle is tacky in the photos and even more so in real life. What do you expect the perfume to smell like? I anticipated something likewise predictable–a sugary floral or a fruity patchouli. The perfume, on the other hand, is a surprisingly wearable tuberose.

If your white floral reference is Frédéric Malle Carnal Flower and Robert Piguet Fracas, you will find Flash to be wan. Lovers of heady natural tuberose, complete with coconut cream and rubbery nuances, will also need to suspend their belief that this is indeed a tuberose. But when so many new launches smell simply vulgar–Dolce & Gabbana Pour Femme is my benchmark, it’s refreshing to discover a mainstream fragrance that bucks the trend.

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